Under the Bridge

Blog for Trollcross, an upcoming webcomic. Also random Scandinavian history and culture posts. Velkommen!
Daughter of the Lilies is one of the best comics I’ve ever read. The characters really shine, each one sweet and genuine. As we approach the reveal of Thistle’s face, I’ve been thinking about how we have had a chance to get to know and love her - her...

Daughter of the Lilies is one of the best comics I’ve ever read. The characters really shine, each one sweet and genuine. As we approach the reveal of Thistle’s face, I’ve been thinking about how we have had a chance to get to know and love her - her kindness, her self-doubt - and all the time she’s been hiding. I’m so excited to see what she looks like and where the comic goes next - I️ know I️ will love it all.

To honor the occasion, I️ redrew and painted a picture I️ made for Inktober last year. Also I’ll make any excuse to draw characters in 18th century clothes!

myjetpack:
“For the Guardian Review.
Pre-order my new book ‘Baking with Kafka’ here:
https://www.tomgauld.com/comic-books-v2/
”

myjetpack:

For the Guardian Review.
Pre-order my new book ‘Baking with Kafka’ here:
https://www.tomgauld.com/comic-books-v2/

thebrassglass:

It’s been a while since I did an art roundup.

http://thebrassglass.deviantart.com

Beautiful 18th century artwork! The lighting in each one is so unique.

artnaite:
“We went to a portrait exhibition with Miisa and there were some superior paintings there. This dudette was so snappy!
”

artnaite:

We went to a portrait exhibition with Miisa and there were some superior paintings there. This dudette was so snappy!

yesterdaysprint:
“ Albany Ledger, Missouri, June 17, 1898
”
Truth.

yesterdaysprint:

Albany Ledger, Missouri, June 17, 1898

Truth.

(via secretsivekept)

Tips for Writing Romance from A Passionate Defender of the Genre

linkeepsitreal:

Here’s the thing: romance is not inherently interesting.

It’s not automatically compelling.

Romance is one of the hardest things to write, but if you’re clever and careful and pay attention, romance can also be one of the most powerful tools a writer can wield. Not only because love is a powerful and complex emotion worthy of exploration—although it is that—but because romance can function as plot, conflict, character motivation, development, world-building, etc. It can do so much heavy lifting for you, and in a way that is engaging, evocative, and tone-setting.

But you can’t simply cry “Love!” and wait for the applause. You gotta earn it. 

Keep reading

Writing romance is the hardest part of anything I write - this essay by linkeepsitreal is wonderfully written and full of great information.

leppu:

Some panels from my upcoming comic that I really like!! <3

Beautiful! So excited for this new comic!

my18thcenturysource:

Banyan

For us, this is just a robe, but in the 18th century with fashion being so over the top, this was a key garment in a man’s wardrobe: inspired by East Indian style clothing and borrowing its name from the Hindu word for “trader”, this was what men wore at home. Or the street. Or at intellectual work. Basically anywhere they wanted to be comfortable at.

The banyan (a.k.a. morning gown, Indian nightgown, wrapper, at-home robe, dressing gown, robes de chambre) started as a simple T shape full garment with no closing, almost floor length and sleeves that were folded to mock cuffs. Later on, actual cuffs, pockets and front buttons were added.

Of course, this garment kept with it an air of exoticism not only in its shape but the fabrics: damasks, brocades, calico, chintz… everything that came together with the Chinoiserie decorations, the Indian spices and the Chinese tea. This was a whole look and lifestyle that required effort to keep but no effort at all to wear.

Sometimes the banyan was worn with a matching waistcoat, but it could simply be worn over the breeches and shirt and with or without the usual waistcoat. To complete the look, a cap or headwear was added. Because why not.

Images from top:

  1. Three banyans from the Met Museum.
  2. Yellow silk damask banyan, ca. 1780, Great Britain, Met Museum.
  3. Light blue and beige silk brocade banyan, ca. 1730, France, Met Museum.
  4. Striped blue, white and yellow silk banyan, second half of the 18th century, Europe, Met Museum.
  5. “Portrait of an unknown man”, about 1730-40, Carle Van Loo, France, Château de Versailles.
  6. Floral silk brocade banyan, 1735-40, cut about 1780, France, Royal Ontario Museum.
  7. Grey cannetillè silk banyan, ca. 1765, France, LACMA.
  8. Fashion plate of “Robe de Chambre”, ca. 1775, France.
  9. Printed cotton banyan, ca. 1750, made in India for the European market, LACMA.
  10. Blue silk damask Banyan with block printed lining, ca. 1750 (reproduction from Norah Vaugh’s book The cut of men’s clothes), via Duran Textiles.
  11. Pattern of Man’s At-home Robe (Banyan),  about 1750–60, LACMA. Click and download the pattern from the LACMA website :)

(via victoriansecret)

stjernfelt:
“We return to our regular scheduled programming: 18th century dudes
”
I cannot wait to get my hands on this comic! It looks fabulous.

stjernfelt:

We return to our regular scheduled programming: 18th century dudes

I cannot wait to get my hands on this comic! It looks fabulous.